Halbsicht Inc.

abstract tones & visual concepts

 

 

 

Adamned.Age

 

hanne adam (adamned.age), born and grown up in hamburg in 1977, is an artist now living and working in berlin. she already began very early practising music on piano, guitar and drums. she mainly played drums in punk- and crossover-bands.

she started her first solo-recordings on an 8-track-taperecorder.

In 1996 she integrated computer-technology and virtual instruments to create her first electronic music work in trip-hop downtempo style. she also uses her own voice considered as a particular experiment in her work.

for examples using her self written poetry as a content.

intense experiments on hard- and software involved transformations of sounds and samples to click and cut-elements that have become a relevant basis for the rhythmic and percussive tracks of her minimal techno and electronica style. recently she re-concentrated mainly on sound-design (an integral part of her former studies)

and experimental structures leading to electronica and idm-style. beside these styles she still works on her well-known downtempo-structures, combined with ambient sounds.

in addition, many collaborations such as remixes and multimedial projects are part of hanne's complex musical carriere. in fact, working on musical media, paintings, graphics, photographies,

films and webdesign is the most essential part in her life to create means of communication with the inner- and outside-world. music as a constant work in progress that serves as a liberation of mind.

 

 

 

 

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tousand yard stare EP

 

 

 

 

 

 

 

 

 

Adamned.Age _netHS 002

01_uebersprungbewegung

02_substanz P

03_thousand yard stare

04_chronograph

05_part of my dejection

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Solid, smooth surfaces, embedded in "crunchy", rounded structures Beat distribute a pleasant atmosphere to animate to a deeper listening. the "thousand-yard stare" is the unfocused gaze of a soldier. it results from the stress of battle in the war. the stare is related to post-traumatic stress disorder, it is a characteristic combat stress reaction. in my music it is an association but somehow close to my reality. at the core it reflects a kind of shock or consternation of my past experiences. the EP is a part of a constant inner conflict from a biographic angle of view.

 

 

 

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